"Drawn from the Montpellier Codex, a rich compilation of French motets made around 1300, the program at Corpus Christi Church in Morningside Heights — lovingly and radiantly sung — showed again and again how music in that period was constantly repurposed, blurring boundaries between high and low culture, and religious and secular spheres. Simple troubadour songs kept finding their way into the sublimely superimposed vocal lines of two-, three- and even four-voice motets."
— New York Times
