"The Dutch vocal ensemble Cappella Pratensis made a strong impression in recent weeks with Jacob Obrecht's 1487 Missa de Sancto Donatiano in New York's Music Before 1800 series. It called attention to the group's important though somewhat overlooked recording of the piece, one that's a breakthrough in the Renaissance vocal repertoire discography.... The music also benefits enormously from Cappella Pratensis' inward sense of concentration as well as its distinctive blend, tinted by the use of male voices for soprano and alto parts."