For more than 50 years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world.


Posted: Jul-14-2015
Latest News

Jordi Savall is featured in a June 2017 New York Times 'Daily 360' video, as conductor for the revival of Marin Marais' 'Alcyone' at the Royal Opera of Versailles. These are the first performances of 'Alcyone' in 246 years. 

Posted: Jun-20-2017
Latest Recording

A homage to the memory of victims of the slave trade.

This new multicultural project from Jordi Savall and his musicians on The Routes of Slavery (1444-1888) marks a world first in the history of music and of the three continents involved in the trade in African slaves and their exploitation in the New World, which are brought together through the early music of the colonial period, the musical traditions of Mali and the oral traditions of the descendants of slaves in Madagascar, Brazil, Colombia and Mexico. This 'Musical Memoir' is accompanied with historical texts on slavery, beginning with the early chronicles of 1444 and concluding with texts written by the Nobel Peace Prize-winner Martin Luther King shortly before his assassination in 1968.

Sponsored by UNESCO, this musical reconciliation is founded on equality, harmony and reciprocal inspiration, constituting the commemoration of a tragic and shameful chapter in the history of mankind. A vast historical and musical fresco, which throws light on the West’s attitude towards Africans in Latin America, the United States and Europe, as well as its indifference towards that 'forgotten' continent of Africa. But it is also a joyful celebration of hearts and spirits united through music and dance, offering us all a vital source of survival, a refuge of peace, consolation and hope.

Posted: Feb-17-2017
Latest Acclaim

"It was, in classic Savall style, a grab bag of tiny, exquisite pieces: aching John Dowland, stately and swirling Gioseffo Guami. And the climax, in classic Savall style, was a playful, gently swaying improvisation on a Renaissance 'canario' dance melody, building into flurries of notes frizzling off Mr. Savall’s tiny treble viol."


— New York Times
Posted: Feb-22-2017
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Posted: Aug-31-2017