For more than 50 years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world.


Posted: Jul-14-2015
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WQXR is streaming Jordi Savall's February 2017 'Millenarian Venice: Gateway to the East' concert from Carnegie Hall's La Serenissima Festival. The program traces the melodies from across the Mediterranean to Persia, the Ottoman empire; and from Rome to France to 11th century Greece — all through music that moved through Venice.

Posted: Feb-3-2017
Latest Recording

On this moving portrait of Granada, Jordi Savall leads Hespérion XXI and La Capella Reial de Catalunya in an exploration of 500 years of Spanish history. Granada is a symbol, like no other, of the fruitful but conflictual encounter of the three monotheistic religions. The succession of the zirid, almoravid, almohad and nasrid dynasties, their relationship with the neighboring christian kingdoms and the often precarious situation of the Jews (the first inhabitants of this area) are reflected in this wide musical fresco, in which each culture displays its most advanced refinement.

Posted: Aug-12-2016
Latest Acclaim

"It was, in classic Savall style, a grab bag of tiny, exquisite pieces: aching John Dowland, stately and swirling Gioseffo Guami. And the climax, in classic Savall style, was a playful, gently swaying improvisation on a Renaissance 'canario' dance melody, building into flurries of notes frizzling off Mr. Savall’s tiny treble viol."


— New York Times
Posted: Feb-22-2017
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Posted: Jul-22-2016