About

Vox Luminis, founded in 2004 in Namur, Belgium, is an ensemble specializing in the performance of 16th through 18th century vocal music. The ensemble has been praised for its seamless blend of high-quality individual voices, exquisite tuning, and clarity of sound. After a performance on the acclaimed Miller Theater Early Music Series in February 2016, the New York Times called the group’s program “revelatory,” adding that the singers “blended beautifully.”

Posted: May-23-2016
Latest News

Vox Luminis is featured in a November 2016 article on the popular classical music network Classic FM. The feature includes a video of the vocal ensemble performing Thomas Tallis's motet 'If ye love me' live at the Chapel of St John's College, Cambridge. 

Posted: Nov-30-2016
Latest Recording

A two-CD set devoted to the Lutheran liturgical repertory from Martin Luther himself to Heinrich Schütz.

The first disc comprises compositions specific to the Lutheran liturgy: Deutsche Messe, Deutsches Magnificat, Deutsche Passion (the first German polyphonic Passion, by Joachim von Burck) and even a reconstruction of a Deutsches Requiem drawn from polyphonic works that set the same texts as those Brahms was later to use for his Deutsches Requiem.

The second disc presents a selection of motets arranged according to the liturgical calendar, from Advent to Trinity. These polyphonic pieces were written by a wide range of composers including Martin Luther, Andreas Hammerschmidt, Michael Praetorius, Joachim von Burck, Christoph Bernhardt, Heinrich Schütz, Thomas Selle, Melchior Franck, Caspar Othmayr, Michael Altenburg, Samuel Scheidt, Johann Hermann Schein and Johann Walter. The orga- nist Bart Jacobs completes the programme with a few organ pieces by seventeenth-century composers.

Posted: Feb-10-2017
Latest Acclaim

"The thrilling and energetic performance was given by the dozen singers of the Vox Luminis ensemble from Belgium and the Freiberg Baroque Consort with its cornets, trombones and a theorbo that added rhythmic impetus. The sumptuous opening was deeply impressive, and the sequence of psalms was a kaleidoscope of voices and instruments in changing patterns. Two sopranos sang of beauty with intimate charm, and cherubim echoed one another with precision that commanded rapt attention. Every one of the countless ornaments and flourishes was crisp, every solo individualised and confident. When forces combined, the effect was overwhelming."

— Norwich Evening News
Posted: May-18-2017
Latest Video
Posted: Oct-14-2016